Làser activates a line of light connecting Torre de la Carrova and Torre de Campredó, two structures that for centuries functioned as points of surveillance, control and communication across the territory. What once served to defend and warn is reactivated here from another place: not as military infrastructure, but as a poetic gesture that brings the landscape back into relation.
The piece does not fix an image, but activates a presence. The laser cuts through space, traces a three-dimensional path and transforms distance into a visible form of connection. In this movement, light does not simply link two towers: it brings forth the latent memory of the site and invites us to look again, as if for a moment the territory revealed another way of organising itself, remembering itself and being perceived.
Antoni Arola
For years, Antoni Arola’s artistic research has gravitated around an essential and immaterial element: light. In both its absence and presence, natural or artificial, his work engages with light’s capacity to alter space, activate perception and open up visual experiences that oscillate between the tangible and the intangible. With a practice that leans towards formal reduction and the use of minimal elements, Arola builds poetic languages where colour, chance and play also take on a central role.
With a long trajectory dedicated to exploring light, Antoni Arola returns to Eufònic after occupying Castell d’Ulldecona in 2023 with an installation traversed by sunlight.