Adelaide claims to live and work on the Moon and that in summer she sets aside her mermaid nature to become a witch. What we know for sure is that her unorthodox formation –much of his childhood and adolescence spent singing in a choir– has materialized in infinite layers of voices and in songs that sound like spells. She jumps on the stage alone, with the looper and the laptop, and from there leads the audience through spaces of instrospection. In the past year, Ableton has been their best ally and together they have generated the choral universe with electronic hints of tracks such as “La Primavera”, “La Pregunta” or “El Crit”.