Raquel Meyers’ work has been shown at art centers, exhibitions and festivals like Ars Electronica. Defining her practice as expanded typing, and using text and reticle characters, she weaves a contemporary tale with technologies of the past thanks to Commodore 64, the flickering of teletext vertical lines or fax machine-powered devices. A world of mythical creatures and dreamlike adventures where calmness and recklessness reigns. Frame by frame, symbol by symbol, a descent into Wonderland where time stops and chaos reigns.