With a small 1980s Casio keyboard, her voice and a collection of songs that seem to emerge somewhere between the bedroom and the sonic experiment, French artist Suzanne Landier unfolds a fragile, strange and surprisingly contemporary universe. Her pieces combine delicate melodies, field recordings, personal narratives and lo-fi electronic textures, transforming memories, places and fragments of everyday life into sonic material. A practice situated between concert, performance and storytelling, marked by a distinctive sensitivity that finds beauty in the unfinished, the domestic and the seemingly insignificant.
Suzanne Landier
Musician, artist and Fine Arts student in Cergy, Suzanne Landier develops a practice that moves between song, sound art and experimentation. A multi-instrumentalist – piano, guitar, accordion and voice – she also works with prepared piano, modular synthesizers and various forms of experimental composition. Her solo project revolves around a small Casio MT-65 from the early 1980s, through which she has developed a DIY, lo-fi and deeply personal language. In 2025 she released her debut work, Unfinished Casio Songs, a collection of pieces that has established her as one of the most distinctive emerging voices in the French experimental scene.