Park Keito, Andrea Badia, and Glòria Ros recover three projects that explore memory, adaptation, and scenic improvisation at Eufònic STNBL 2025

Eufònic STNBL, the initiative dedicated to Catalan artists with a focus on creative sustainability, recovers three proposals to be showcased again from July 10 to 13, 2025, at Eufònic. This edition’s selected projects discuss movement, sound, and nature: Park Keito presents a performance exploring the transience of life through Japanese tanka poetry, Andrea Badia presents an installation reflecting on nature in a world of noise, and Glòria Ros revisits a piece that uses improvisation as a tool to explore the body and creation.

The dance of words: Park Keito

The Park Keito collective, formed by Japanese choreographer Kotomi Nishiwaki and composer Miquel Casaponsa, recovers “Yukedo Yukedo,” a performance that combines movement, sound, and poetry. The piece is based on the tanka poems by Takahide Nishiwaki to evoke the transience of life and the connection with nature, creating a choreographic landscape full of symbolism.

Voices in the noise: Andrea Badia

The visual and experimental artist Andrea Badia (@NDDR3) presents “Destructive Aesthetics,” a 3D-printed sculpture installation depicting “new plants” adapted to an environment saturated with anthropogenic noise. Inspired by organic forms and created using digital modeling techniques, Badia’s proposal explores the mutation of nature in transformed landscapes.

Improvisation as Living Memory: Glòria Ros

Dancer and performer Glòria Ros revisits “Algo poroso,” a dance project that explores improvisation as a theatrical language. Initially created at El Estruch in Sabadell, the work has evolved through collaboration with composer Joan Cot, violinist Ariadna Torner, and dancer and sound artist Anna Fontanet.

Eufònic STNBL 2025 reaffirms its commitment to the re-reading and reactivation of works that maintain their relevance and transformative power, giving new life to projects that continue to resonate in the present.