Among the visual arts, visual poetry and sound, his installations and sound pieces have in common an interest in unstable processes, raw materials and gestures, where the manipulation of objects as instruments or instruments as objects has a strong phenomenological aspect. In Eufònic Urbà he will present one of the most suggestive activities: in the turret of the art center, inaccessible to the public, an accordion will be playing that can only be heard while we going up and down the stairs, in an acoustic set linked to the three different access levels and vertical distances. An analog remote installation.