Last August, the old oil deposits of the Ulldecona mill, lined with oppressive, wet, white tiles, hosted a unique proposition with the musician Ferran Fages and the choreographer Carme Torrent relating body, movement, space and sound, carrying out a series of actions that allow space and place to move us. Now they will occupy one side of the magnificent Max Cahner Cloister in a new, more physical, closer proposal, where distance – that inevitable new friend – accompanies us.

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