Citlali Hernández, Jon James and Roc Lilith; Laura Ginès and Terper — repetition, interaction and displacement as working methods

Some projects, due to context, time or conditions, have had limited circulation. Eufònic STNBL is the strand of Eufònic dedicated to recovering small and mid-scale works and placing them in a new context so they can transform. Because sustainability can also be creative: it’s not about producing more, but about reactivating what already exists. A piece is never the same when the space, time or conditions of its presentation change.

In 2026, the call selects three projects that approach this reactivation from very different angles: the body, the device and the cycle.

Citlali Hernández, Jon James and Roc Lilith — Descolonizar nuestros patrones

A performance that places the body at the center to trace how the logics of colonialism still operate. Looping gestures, spoken readings and memories shaped by migration histories activate a living archive where patterns repeat and become visible.

Laura Ginès — Grafia animada per a després del diluvi

A work between cinema, music and device where the film is not fixed—it is activated. Each piano key triggers visual fragments and alters the narrative.
The piece is reactivated while keeping this open logic: without a performer, there is no film. The narrative unfolds in real time, between order and randomness.

Terper — DISPLACEMENT

A work that understands displacement as a condition that cuts across territories, ecosystems and communities. Structured as a 24-hour cycle, it moves forward and returns without a clear beginning or end. A form that insists on repetition and the impossibility of fixing anything.